The New York Times has yet to wake up, but a critic called Zachary is first to share his view of last’s night’s Met opening in Theatermania:
Sometimes, you just want to see your enemies weep. In that way, we can all relate to Medea, the mythical sorceress of Colchis and the protagonist (villain?) of Luigi Cherubini’s Medea, which has just opened the Metropolitan Opera’s 2022-23 season in exquisite style. Of course, few of us will go as far as Medea in exacting revenge. Curses to the heavens, poisoned accessories, an extremely late-term abortion — nothing is off the table for her. And that’s what makes this opera so horrifying and watchable.
The music helps too: Cherubini’s score is a bridge between the formality of the Classical period and the unbridled passion of the Romantic. We know we’re in for a dark and stormy night …
Full review here.
photo: Sondra Radvanovsky as Medea, with Matthew Polenzani as Giasone in Luigi Cherubini’s Medea (© Marty Sohl/The Metropolitan Opera