2024-03-18 09:54:37
How to Become a DJ https://howtobecomeadj.net/ Learn more about how to become a DJ, purchasing cheap DJ gear, producing music and a lot of other things. Fri, 23 Feb 2024 06:44:55 +0000 en hourly 1 https://wordpress.org/?v=6.2.4 https://howtobecomeadj.b-cdn.net/wp-content/uploads/cropped-2-32x32.png How to Become a DJ https://howtobecomeadj.net/ 32 32 Buddy Guy | Everything you need to know about Blues Music – MojoHand https://howtobecomeadj.net/buddy-guy-everything-you-need-to-know-about-blues-music-mojohand/ https://howtobecomeadj.net/buddy-guy-everything-you-need-to-know-about-blues-music-mojohand/#respond Fri, 23 Feb 2024 06:44:55 +0000 https://howtobecomeadj.net/buddy-guy-everything-you-need-to-know-about-blues-music-mojohand/ Buddy Guy is a legendary blues singer and guitarist, known for his innovative style and influential sound. Born in Lettsworth, Louisiana, in 1936, Guy was raised in a musical family and began playing guitar at an early age. He moved to Chicago in the late 1950s and quickly established himself...

The post Buddy Guy | Everything you need to know about Blues Music – MojoHand appeared first on How to Become a DJ.

]]>

Buddy Guy is a legendary blues singer and guitarist, known for his innovative style and influential sound. Born in Lettsworth, Louisiana, in 1936, Guy was raised in a musical family and began playing guitar at an early age. He moved to Chicago in the late 1950s and quickly established himself as a top-notch blues musician. Over the years, Guy has collaborated with many other artists, including Eric Clapton, Jimi Hendrix, and Stevie Ray Vaughan.

Guy’s music is characterized by his powerful vocals and masterful guitar playing. He is known for his use of distortion and feedback, which has influenced countless other guitarists. In addition to his musical talents, Guy is also a respected music educator and philanthropist. He has established several charitable organizations and has been a strong advocate for music education in schools.

Despite his long and illustrious career, Guy shows no signs of slowing down. He continues to tour and record new music, earning critical acclaim and numerous awards along the way. With his distinctive sound and unwavering dedication to the blues, Buddy Guy remains one of the most important and influential figures in American music history.

Buddy Guy has released numerous albums throughout his career, many of which have become iconic in the blues genre. His most famous albums include “A Man and the Blues” (1968), “Stone Crazy” (1970), and “Damn Right, I’ve Got the Blues” (1991).

Some of Buddy Guy’s most famous songs include “Mary Had a Little Lamb,” “Feels Like Rain,” “Damn Right, I’ve Got the Blues,” and “Mustang Sally.” His music has been covered by countless other artists and has influenced generations of blues musicians. In 2015, he released his latest album “Born to Play Guitar,” which earned him a Grammy award for Best Blues Album.

Overall, Buddy Guy’s contributions to the blues genre are immeasurable, and his legacy continues to inspire musicians and fans alike.





Source link

The post Buddy Guy | Everything you need to know about Blues Music – MojoHand appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/buddy-guy-everything-you-need-to-know-about-blues-music-mojohand/feed/ 0
Bach-Rheinberger • The Goldberg Variations – The Naxos Blog https://howtobecomeadj.net/bach-rheinberger-the-goldberg-variations-the-naxos-blog/ https://howtobecomeadj.net/bach-rheinberger-the-goldberg-variations-the-naxos-blog/#respond Fri, 23 Feb 2024 06:43:35 +0000 https://howtobecomeadj.net/bach-rheinberger-the-goldberg-variations-the-naxos-blog/ Raymond Bisha’s latest podcast introduces the world premiere recording of Joseph Rheinberger’s arrangement for two pianos of Bach’s Goldberg Variations. Composed by Bach in 1741, the work fell into oblivion before re-emerging as part of a movement of discovery generations later. In order to breathe new life into them, such...

The post Bach-Rheinberger • The Goldberg Variations – The Naxos Blog appeared first on How to Become a DJ.

]]>

Raymond Bisha’s latest podcast introduces the world premiere recording of Joseph Rheinberger’s arrangement for two pianos of Bach’s Goldberg Variations. Composed by Bach in 1741, the work fell into oblivion before re-emerging as part of a movement of discovery generations later. In order to breathe new life into them, such masterpieces might undergo arrangements, transcriptions and other manipulations. In this case, Rheinberger’s 1883 version adds new parts to Bach’s original score.
 
View album details
Catalogue No.: CDS8002
 

 



Source link

The post Bach-Rheinberger • The Goldberg Variations – The Naxos Blog appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/bach-rheinberger-the-goldberg-variations-the-naxos-blog/feed/ 0
Download MUSIC: Opeoluwa Brain – E Go Be https://howtobecomeadj.net/download-music-opeoluwa-brain-e-go-be/ https://howtobecomeadj.net/download-music-opeoluwa-brain-e-go-be/#respond Fri, 16 Feb 2024 12:42:52 +0000 https://howtobecomeadj.net/download-music-opeoluwa-brain-e-go-be/ DOWNLOAD FOR UPDATE ONLY JOIN WHATSAPP | JOIN TELEGRAM Opeoluwa Brain makes a solid comeback to the music scene with this beautiful inspirational song aptly titled “E Go Be”. It is produced by J Snare and Mixed by Teedot Unbeaten. Enjoy and share the correct gbedu!!! Download MUSIC: Opeoluwa Brain...

The post Download MUSIC: Opeoluwa Brain – E Go Be appeared first on How to Become a DJ.

]]>

DOWNLOAD

FOR UPDATE ONLY

JOIN WHATSAPP | JOIN TELEGRAM

Opeoluwa Brain makes a solid comeback to the music scene with this beautiful inspirational song aptly titled “E Go Be”. It is produced by J Snare and Mixed by Teedot Unbeaten. Enjoy and share the correct gbedu!!!

Download MUSIC: Opeoluwa Brain – E Go Be

DOWNLOAD MORE FREEBEAT



Source link

The post Download MUSIC: Opeoluwa Brain – E Go Be appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/download-music-opeoluwa-brain-e-go-be/feed/ 0
The Black Keys announce new album “Ohio Players” https://howtobecomeadj.net/the-black-keys-announce-new-album-ohio-players/ https://howtobecomeadj.net/the-black-keys-announce-new-album-ohio-players/#respond Sun, 14 Jan 2024 06:43:13 +0000 https://howtobecomeadj.net/the-black-keys-announce-new-album-ohio-players/ The Black Keys will release their 12th studio album, Ohio Players, on April 5th. The title is inspired by the Dayton, Ohio funk band of the same name. The album features collaborations with Noel Gallagher, Dan “The Automator” Nakamura, Beck, Greg Kurstin, and more. Drummer Patrick Carney said, “We had...

The post The Black Keys announce new album “Ohio Players” appeared first on How to Become a DJ.

]]>

The Black Keys will release their 12th studio album, Ohio Players, on April 5th. The title is inspired by the Dayton, Ohio funk band of the same name. The album features collaborations with Noel Gallagher, Dan “The Automator” Nakamura, Beck, Greg Kurstin, and more.

Drummer Patrick Carney said, “We had this epiphany: ‘We can call our friends to help us make music.”

Dan Auerbach added, “No matter who we work with, it never feels like we’re sacrificing who we are. It only feels like it adds some special flavor … But when it came time to finish the album, it was just Pat and me. We’d never worked harder to make a record. It’s never taken us this long to make an album. We took our time and did it right.”

The Black Keys have released a music video for the first single, “Beautiful People.”



Source link

The post The Black Keys announce new album “Ohio Players” appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/the-black-keys-announce-new-album-ohio-players/feed/ 0
In-Depth Tonebase Cello Review – Unlocking New Insights https://howtobecomeadj.net/in-depth-tonebase-cello-review-unlocking-new-insights/ https://howtobecomeadj.net/in-depth-tonebase-cello-review-unlocking-new-insights/#respond Sun, 14 Jan 2024 06:41:52 +0000 https://howtobecomeadj.net/in-depth-tonebase-cello-review-unlocking-new-insights/ Dive into our comprehensive review of tonebase cello courses, and find the perfect course to elevate your playing skills. Introduction There’s no doubt about it – online music education is undergoing a transformative evolution.  With the recent rise in the popularity of remote learning, the opportunities for aspiring musicians to...

The post In-Depth Tonebase Cello Review – Unlocking New Insights appeared first on How to Become a DJ.

]]>

Dive into our comprehensive review of tonebase cello courses, and find the perfect course to elevate your playing skills.

Introduction

There’s no doubt about it – online music education is undergoing a transformative evolution. 

With the recent rise in the popularity of remote learning, the opportunities for aspiring musicians to learn, practice, and refine their skills from practically anywhere in the world have only grown. Still, some challenges persist, especially when trying to strike a balance between convenience, expert guidance, and maintaining the depth of musical education. 

Tonebase, a comprehensive classical music lessons website, seems to have provided an adequate answer to this problem. It is a space where more than 10 thousand users grow their skills from their own homes – without sacrificing quality.

In this tonebase cello review, we’ll be taking a look at the platform, comparing its cello offer to its competitors, and listing some user reviews and testimonials.

Table of contents:

  1. Tonebase Overview
  2. Key Features of Tonebase Cello
  3. Dive into Tonebase Courses
  4. Meet the Tonebase Cello Teachers
  5. Evaluating the User Experience: Reviews and Testimonials
  6. Understanding Tonebase Pricing
  7. Comparing Tonebase with Competitors
  8. Exploring the Tonebase Cello Mobile App
  9. In Conclusion

Tonebase Overview

Tonebase first launched in 2017, with the aim of improving the accessibility of classical music education. The idea of offering high-quality music lessons to a global audience immediately set the platform apart from the rest of the online music lesson market – with courses led by world-class musicians and educators from prestigious institutions such as the Curtis Institute of Music, Yale, Juilliard, San Francisco Conservatory of Music, and others. In this way, tonebase successfully emulates the approach Masterclass first established in 2015.

Today, the website offers courses on classical guitar, piano, violin, flute, and cello.

Want to find out more about the platform? Follow this link for our comprehensive review of tonebase.

What is Tonebase Cello?

Same as for the rest of the platform, tonebase for cello focuses on video instrument lessons. The courses on Tonebase Cello, so, cover a range of important topics for those who want to up their cello skills – starting with essential technical exercises and tips for interpretation. 

Continue reading to learn more about tonebase for cello – and get 30% off your subscription with our code: MORDENTS 

Key Features of Tonebase Cello

Once you first log into tonebase, you’re welcomed with a couple of general questions about your cello skills. This is necessary for the platform to understand you a bit better. If you like, after this “orientation” you can also take a much more detailed skills quiz. Here you’ll cover pretty much everything that goes into cello technique: from trills, broken chords, and arpeggios, to different bow styles.

tonebase for cello quiz
tonebase for quiz 2

After that, you’re assigned a ‘level’ – which helps tonebase take a more granular approach to its lesson recommendations. Then, once you finish setting up your profile, it’s off to the races – you have full freedom to explore the platform and decide which courses you’d like to take. The lengths of the lesson videos usually range between 5 and 30 minutes – but some also stretch to a full 90 minutes!

Course Structures and Resources

Most tonebase courses are separated into several smaller lessons, connected by one big umbrella topic. For example, Sarah Sant’Ambrogio’s course on “The Fundamentals of Cello Playing” discusses vibrato, slides, and playing without pain, amongst other things. However, the course structure depends on the instructor – and one of tonebase’s greatest strengths is its teachers’ diversity of approaches.

Ultimately, it’s up to the user to dictate their tempo and scope of learning. You might want to keep redoing one lesson over and over again until you feel like you truly understand the material. Maybe you’ll want to speed through a course that’s boring you, or skip over a subject you already know – it’s entirely your choice.

In addition to its lesson library, tonebase also has supporting instructional material. When it comes to cello, this includes lesson workbooks and sheet music for select pieces taught on the platform. Accompanying these resources is the tonebase cello blog. Here you’ll find articles on topics like the pros and cons of the electric cello, or the technical nitty-gritty of stringing and tuning. And for those missing that personal touch of a teacher addressing them in real-time, exclusive live web workshops are held weekly.

tonebase cello courses

Dive into Tonebase Courses

Overview of Tonebase Cello Courses

Same as with other instruments on tonebase, the cello lessons are divided into two broad categories:

  1. Learn a Piece – lessons on thoughtful interpretation, discussing famous works like Bach’s Suites and “The Swan” by Saint-Saëns;
  2. Build Skills and Knowledge – lessons on “facility and fluency”, focusing on things like posture and left and right hand technique. 

Course Content

Tonebase’s cello lesson library aims to offer learning material for musicians of all skill levels. Still, while its “beginner” courses, like the one on the fundamentals of cello technique, are truly helpful, it’s important to keep in mind that learning an instrument from scratch is usually easier with a teacher by your actual – not virtual – side. Most tonebase’s “beginner” lessons are actually far from what someone with little experience could grasp. This, for example, includes discussions of music like the cello solos from Dvořák’s Piano Quintet No. 2, Op. 81, and Brahms’s Piano Trio No. 1 op. 8. Pretty complex stuff!

Other courses, more appropriately labeled as “intermediate” and “advanced”, focus on famously demanding large-scale works for solo cello. These, for example, include Concertos by Schumann (as presented by Pablo Ferrández), Saint-Saëns (Zlatomir Fung), and Elgar (Julian Schwarz), and so on.

When it comes to the stylistic variety of the lesson material, owing to the recent arrival of cello lessons to the platform, there is not much of it. While the tonebase violin library, for example, offers courses on experimental playing techniques and folk music, the cello library is still uniformly Classical. Save for a couple of lessons on Bach’s Suites, however, at the time of writing this review (August 2023) there are no courses dedicated to the interpretation and technique of Baroque music. The library is dominated by Romantic composers, with Haydn, Mozart, and Beethoven coming in as close second. There is also due attention paid to the music of the 20th century, with discussions of pieces by Debussy, Strauss, and Barber.

With all this in mind, it’s safe to say that tonebase’s cello library is currently best suited for more experienced players. Still, the platform is expanding each day. And if the state of other lesson libraries on tonebase is anything to go by, then there’s no doubt cello fans will have a lot more to do on the platform – very soon.

Meet the Tonebase Cello Teachers

Tonebase’s premium teachers are truly the best asset to the platform’s credibility. 

In one place, tonebase gathered an impressive number of great musicians – performing artists, recording artists, and those who have mainly made their careers in teaching.

tonebase for cello teachers

Qualifications and Teaching Styles

The level of expertise of its teachers is tonebase’s prime differentiator. There’s hardly a better place to start if your priority is expert guidance.

The platform counts some big names among its cello teachers: world-renowned Mischa Maisky, Laurence Lesser of the New England Conservatory, Peabody Institute’s Amit Peled, Sara Sant’Ambrogio of the Eroica Trio, prolific soloist and Director of the Dresden Music Festival Jan Vogler, and electric superstar Tina Guo, to name just a few.

Since interactivity is limited, the teaching styles they employ are, however, uniform. Presenters explain and demonstrate different aspects of playing the cello or interpreting a particular piece. Often they’ll repeat a move or a phrase for clarity, and ask questions to keep your attention. Most of the videos are accompanied by a music score on the screen, allowing you to easily follow what they’re doing and discussing. 

Evaluating the User Experience

As their userbase continues to grow, tonebase has been accumulating some very positive reviews – most of which you can read right on their website. Below, we highlight several tonebase user experiences shared elsewhere.

Users’ Experience with Tonebase Cello

“I was really surprised by the quality of the material. The level is intermediate to advanced with some material maybe also interesting to professionals (presence on stage, mindset, stress relief). I like the technical details and explanations that offer me a very different perspective on my instrument and practicing. Additionally, some new exercises for shifting, intonation etc I found quite useful”, – g4hi, Reddit

“Tonebase channel has been an amazing recent discovery. The amount of musical insight available here is astounding”, – sehetw, Twitter

“I’ve really enjoyed Amit Peled’s content on there – it’s worth a month of subbing just for him! That really surprised me how much I like his videos given that I didn’t care for his emoji book”, – Amateur_Cellist, Reddit

Understanding Tonebase Pricing

Cost of Tonebase Cello Subscription

Tonebase’s pricing comes in 3 subscription packages: Monthly ($49.95 monthly), Yearly (billed annually at $299), and Lifetime (one-time payment of $695). There is a 14-day free trial available.

Subscriptions can be canceled at any time, with the platform offering a full refund within 90 days of your purchase. 

Is it Worth the Price?

Many tonebase users recommend trying out the platform for at least 2-3 months. Seeing as the library is continuously being updated, as new instructors join the platform and more content is developed and uploaded, it makes sense that it takes a little bit of time to assess the full range of tonebase’s value.

There are no differences in the material itself depending on your subscription package – the only thing that changes is how long you have access to it. If you want to try it out for yourself and aren’t sure how much you can, or want to commit, we recommend starting with the monthly subscription package. The yearly plan, on the other hand, would make for a perfect birthday or holiday gift to your cellist of choice.

Regardless of package type, a tonebase cello subscription will currently give you access to 50+ courses, along with recordings of past webinars, sheet music, lesson workbooks, as well as upcoming livestreams by tonebase teachers. Approaching the intimacy of a masterclass but with a variety of topics and approaches only an online platform can offer, tonebase is a great option for those who want to get insights from the greats and level up their skills, all from the comfort of their own home.

Sign up now and get 30% off your subscription with our exclusive promo code: MORDENTS

Comparing Tonebase with Competitors

When comparing tonebase to other cello learning platforms on the market, it’s easy to see why it’s currently head and shoulders above the rest. The variety of teachers, a quickly-expanding library, the production quality, and great UI, all make tonebase stand out.

Tonebase vs Other Cello Learning Platforms

Platforms like Cello Online, Strings Lessons, Cello Academy, and Artist Works, all have their advantages. Primarily – lots of free content. 

But today’s learners are more and more reporting difficulties in using these platforms. The main reasons: clunky UI, uneven production quality, lack of extra features, and more. Many of these websites have been around for a long time, without ever refreshing their design and offer. It is a problem tonebase simply does not have – the interface feels fresh, direct, and easy to understand.

tonebase interface

Another advantage tonebase has over its competitors is the variety of its offer. Many other cello learning platforms are the brainchildren of just one artist and educator – Hans Zentgraf and Olga Redkina, for example. While their websites may offer hundreds, even thousands of educational videos, they’ll still all be coming from the same person with a unique perspective and technique. For those interested in a variety of viewpoints and playing styles, tonebase should absolutely be the go-to place. 

Lastly, there’s tonebase’s previously mentioned vital differentiator. These are cello courses designed and led by some of the best musicians and educators in the game. And that shows.

Exploring the Tonebase Cello Mobile App

Features and Usability of the Mobile App

The tonebase mobile app, recently launched both for iOS and Android, has all the features offered on the website, with the same sleek, minimalist design that keeps the user focused on the platform’s content.

tonebase cello app
tonebase cello app reccomended courses

The home screen instantly directs the user to the main purpose of the platform – the courses, live events, and additional resources. Other icons on the home screen enable you to go back, check in on your progress and ongoing courses, and search for more. 

Owing to its simplicity and ease of use, the tonebase mobile app might even be the better way to use the platform, since the touchscreen makes it easier to browse and press play and pause buttons when holding your bow.

In Conclusion

The roster of experienced cello teachers, including renowned artists and educators, guarantees expert guidance and makes tonebase truly stand out in the online music education landscape. Though its lesson library is currently more suited for intermediate and advanced players, the platform is still expanding, promising more content and variety in the future.

Comparing tonebase to other cello learning platforms, the platform clearly sets itself apart with its modern, user-friendly interface, high-quality production, and offer of diverse perspectives from world-class teachers.

Tonebase has proven itself as a reliable and effective resource for cello enthusiasts seeking top-notch education and guidance. As it continues to expand its offerings and improve user experience, tonebase remains a go-to destination for aspiring and seasoned cellists alike.

Learn from the best from the comfort of your home – take advantage of our discount code MORDENTS and get 30% off your tonebase subscription today.





Source link

The post In-Depth Tonebase Cello Review – Unlocking New Insights appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/in-depth-tonebase-cello-review-unlocking-new-insights/feed/ 0
The Year In Photos 2023 https://howtobecomeadj.net/the-year-in-photos-2023/ https://howtobecomeadj.net/the-year-in-photos-2023/#respond Thu, 04 Jan 2024 08:15:42 +0000 https://howtobecomeadj.net/the-year-in-photos-2023/ Skrillex (Listen In Festival), 1st October 2023, Mount Smart, Auckland, New Zealand. Well would you look at that!? Another year has passed us by, and while everything has changed, as I sit here in isolation with Covid-19, again – it also feels like nothing has changed. Yes, the gigs are...

The post The Year In Photos 2023 appeared first on How to Become a DJ.

]]>

Well would you look at that!? Another year has passed us by, and while everything has changed, as I sit here in isolation with Covid-19, again – it also feels like nothing has changed. Yes, the gigs are now well and truly back but it feels like at what cost? I have spent much of the year struggling with motivation to photograph live music, the hoops required to jump through constantly getting smaller and higher, while the risk of sickness increases with the amount of people in the audience who have given up, happy to stick their heads in the sand and pretend the last few years never happened all the while spreading the sickness further. Good times.

This year was also a particularly injurious year for me as a live music photographer – from being savagely bitten (yes, bitten!!) by a punter at the Mayhem gig because he took exception to me being there, through to tripping on a barrier in the dark while entering a photo pit at Listen In Festival, slamming my head onto the concrete ground ensuring a pretty gnarly concussion that saw me not able to perform basic tasks for days afterwards.

But, looking back it wasn’t all bad. The time Fred Durst hung over the edge of the stage mid set, personally inviting me up to photograph Limp Bizkit from on stage in front of a sold out Spark Arena springs to mind. Or getting to finally photograph the legendary Kraftwerk after growing up listening to their albums from a very young age via my Mothers record collection, or getting to photograph both L7 and Bikini Kill (both bands I could only dream of being able to see perform as a teen, let alone being able to photograph). My Chemical Fucking Romance!!! Witnessing Fatboy Slim throw down an absolute banger of a set in my home town of Taupō was also an absolute highpoint, and getting the chance to photograph it too!? Get outta here!

So, here we have it. One image from every gig I’ve covered this year, from the very very wet Juicy Fest in January through to the exhausting but very special Save The b! Festival in December… check it out below!

Ja Rule
Ja Rule (Juicy Fest), 8th January 2023, Due Drop Events Centre, Auckland, New Zealand.
Rina Sawayama
Rina Sawayama, 9th January 2023, Powerstation, Auckland, New Zealand.
Red Hot Chili Peppers
Red Hot Chili Peppers, 21st January 2023, Mount Smart Stadium, Auckland, New Zealand.
Mayhem
Mayhem, 26th January 2023, Galatos, Auckland, New Zealand.
ZZ Top
ZZ Top, 4th February 2023, Riverside Park, Taupō, New Zealand.
Fatboy Slim
Fatboy Slim, 5th February 2023, Riverside Park, Taupō, New Zealand.
Ed Sheeran
Ed Sheeran, 10th February 2023, Eden Park, Auckland, New Zealand.
Peaches
Peaches, 20th February 2023, Powerstation, Auckland, New Zealand.
Electric Six
Electric Six, 1st March 2023, The Tuning Fork, Auckland, New Zealand.
Pavement
Pavement, 7th March 2023, The Civic, Auckland, New Zealand.
My Chemical Romance
My Chemical Romance, 11th March 2023, The Outer Fields, Auckland, New Zealand.
Bikini Kill
Bikini Kill, 15th March 2023, Powerstation, Auckland, New Zealand.
Schizophonics
Schizophonics, 18th March 2023, Powerstation, Auckland, New Zealand.
Counting Crows
Counting Crows, 25th March 2023, Spark Arena, Auckland, New Zealand.
Synthony
Synthony, 2nd April 2023, The Domain, Auckland, New Zealand.
Ashnikko
Ashnikko, 8th April 2023, The Town Hall, Auckland, New Zealand.
Rod Stewart
Rod Stewart, 9th April 2023, Spark Arena, Auckland, New Zealand.
Larkin Poe
Larkin Poe, 13th April 2023, Powerstation, Auckland, New Zealand.
PRINS
PRINS, 15th April 2023, The Tuning Fork, Auckland, New Zealand.
Papa Roach
Papa Roach, 18th April 2023, Trusts Stadium, Auckland, New Zealand.
Ho99o9
Ho99o9, 6th May 2023, Neck of the Woods, Auckland, New Zealand.
Weyes Blood
Weyes Blood, 29th May 2023, Powerstation, Auckland, New Zealand.
The Damned
The Damned, 2nd June 2023, Powerstation, Auckland, New Zealand.
Deafheaven
Deafheaven, 8th June 2023, The Tuning Fork, Auckland, New Zealand.
RATSO
Ratso, 9th June 2023, Big Fan, Auckland, New Zealand.
Trentemøller
Trentemøller, 17th June 2023, Powerstation, Auckland, New Zealand.
King Woman
King Woman, 19th June 2023, Neck of the Woods, Auckland, New Zealand.
IDLES
IDLES, 21st July 2023, Spark Arena, Auckland, New Zealand.
Tove Lo
Tove Lo, 27th July 2023, The Town Hall, Auckland, New Zealand.
Loyle Carner
Loyle Carner, 29th July 2023, The Town Hall, Auckland, New Zealand.
Erny Bell
Erny Belle, 4th August 2023, Point Chev RSA, Auckland, New Zealand.
Eagles Of Death Metal
Eagles Of Death Metal, 5th August 2023, Powerstation, Auckland, New Zealand.
Teddy Swims
Teddy Swims, 28th August 2023, The Town Hall, Auckland, New Zealand.
La Dispute
La Dispute, 31st August 2023, The Hollywood Theatre, Auckland, New Zealand.
Skrillex
Skrillex (Listen In Festival), 1st October 2023, Mount Smart, Auckland, New Zealand.
Pendulum
Pendulum, 6th October 2023, Spark Arena, Auckland, New Zealand.
Descendents
Descendents, 11th October 2023, Powerstation, Auckland, New Zealand.
The Chicks
The Chicks, 27th October 2023, Spark Arena, Auckland, New Zealand.
The Corrs
The Corrs, 9th November 2023, Spark Arena, Auckland, New Zealand.
Sam Smith
Sam Smith, 11th November 2023, Spark Arena, Auckland, New Zealand.
Highly Suspect
Highly Suspect, 12th November 2023, Trusts Arena, Auckland, New Zealand.
Joji
Joji, 22nd November 2023, Spark Arena, Auckland, New Zealand.
Behemoth
Behemoth, 24th November 2023, Powerstation, Auckland, New Zealand.
Limp Bizkit
Limp Bizkit, 26th November 2023, Spark Arena, Auckland, New Zealand.
Kraftwerk
Kraftwerk, 1st December 2023, Spark Arena, Auckland, New Zealand.
L7
L7, 6th December 2023, Powerstation, Auckland, New Zealand.
Nessa Barrett
Nessa Barrett, 19th December 2023, Powerstation, Auckland, New Zealand.
Shihad performing live at the Auckland Town Hall, Auckland New Zealand, 2023. Photo by Doug Peters.
Shihad, 20th December 2023, The Town Hall, Auckland, New Zealand.

So there it was, one image from each headline set I photographed in 2023. And now, I need to add a huge thank you for everyone who has contributed to and/or supported Ambient Light in 2023. It’s a pretty hackneyed phrase, but I do need to emphasise that without you all Ambient Light simply wouldn’t be where it is today.

So onwards, 2024. The year of the future. I already have a few gigs penciled into my calendar, so it looks like I can’t give up just yet, even if I want to. I already feel like I’ve been participating in this malarkey for a lifetime already (2024 will be my 25th anniversary of shooting concerts) so what’s another few years eh!? See you all on the barrier at a gig sometime soon. Ngā mihi nui Ambient Light whanau!


Doug Peters
Editor in Chief / Photographer

PressPatron Logo

If you enjoyed this content, please consider donating towards the running of Ambient Light, covering expenses and allowing us to expand the coverage you love by visiting our PressPatron page.

 





Source link

The post The Year In Photos 2023 appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/the-year-in-photos-2023/feed/ 0
Lone Tree https://howtobecomeadj.net/lone-tree/ https://howtobecomeadj.net/lone-tree/#respond Thu, 07 Dec 2023 12:42:04 +0000 https://howtobecomeadj.net/lone-tree/ “I am always inspired when I see young talented musicians, playing real instruments while at the same time embracing the  rich history of this continuum called music. Exploding onto the scene from the horn of Africa with individual members as  diverse as their incredible sound; LONE TREE hits you with...

The post Lone Tree appeared first on How to Become a DJ.

]]>

“I am always inspired when I see young talented musicians, playing real instruments while at the same time embracing the  rich history of this continuum called music. Exploding onto the scene from the horn of Africa with individual members as  diverse as their incredible sound; LONE TREE hits you with a powerful blend of the revolutionary elements of rock and  reggae. As an ensemble they move as one lion pride all led by a mighty lioness. Their energy both on stage and on record is  a force to behold!” –Harrison Stafford of Groundation

From Nairobi to Nashville, Lone Tree is creating a vibrant new sound that attempts to explore the  unknown while simultaneously collaborating with roots Rock n’ Roll, alternative sounds, and an  experimental edge.  

Roots 

Formed 7 years ago, they were originally named Refuge, which represented what they are all about: an  escape from inauthentic music. Meant tongue and cheek, it came to symbolize their drive for progress. 

Influences are broad and reflect their deep knowledge of music across all genres, including Pink Floyd, Fela Kuti, King Gizzard, Tame Impala, Allman Brothers, The Wailers, Buddy Guy and Jethro Tull. 

Lone Tree is a Kenyan band of 4 expats with roots around the world (U.S., Bolivia, Eritrea, Ethiopia, U.K.  and Belgium). Their depth and diversity are unmissable – having collectively lived in 10 countries and  speaking 6 languages. The singer and lead guitarist/band leader are also siblings. 

Touring 

Lone Tree started making waves in 2018 with its first original “Gone Astray” which debuted at #1 in the  East African rock charts. Local and international TV, radio and online appearances quickly followed. The  band has opened for international stars like Ziggy Marley, NSG (UK), Fave (Nigeria), Nena (Germany)  and Petite Noir (South Africa) as well as major Kenyan artists like Sauti Sol, Khaligraph Jones and Nviiri  the Storyteller. To date, they have performed more than 150 live events. 

The band has toured internationally every summer since 2018 playing festivals along the way, including  Muela del Diablo (Bolivia, 2018), Bautz Festival (Germany, 2019), Nairobi Rocks (Kenya, 2020),  Musikfest (U.S., 2022), Oktobafest (Kenya, 2022) and Kids Rock for Kids (U.K., 2023). Lone Tree made  its U.S. debut in 2021 at The Basement in Nashville and Fantastic Negrito’s in Oakland, then returned  in 2022 for a 10-show tour in Nashville, D.C. and PA. They most recently completed a 6-show tour of  London playing iconic venues such as Dublin Castle, Bush Hall and 229 London. 

Published Music 

Lone Tree will release a new single every month for a year from a project co-produced by Devon Allman and George Murphy of Martin Terefe’s Eastcote Studios in London. 

Holding On – first single released in November 2023 

Lone Tree at Snowball (Live) – 11-song live album – December 2022 

Refuge – 6-song EP made in collab with Grammy-winning songwriter, Bensoul – July 2022 True Love, Wind Song, One Season and Rude Bwoy – singles released in 2021 

All music is distributed in partnership with SONY’s The Orchard

Videos 

Holding On (music video) – November 2023 

Lone Tree: Live and Up-close – live set documentary – January 2023 

Lone Tree at Musikfest – full set from festival performance – August 2022 

Exposure has grown to over 42k global followers on Instagram, TikTok, Facebook and Twitter.

All about Lone Tree… 

IG: https://www.instagram.com/lonetreeband 

TikTok: https://tiktok.com/lonetreeband/ 

FB: https://www.facebook.com/lonetreeofficial 

Twitter: https://twitter.com/lonetreeband 

Spotify: https://open.spotify.com/artist/0VAj0iiD96mFA60tqZrtUU?si=Q9xxUcATRKeocgSL1HgY8Q

YouTube: https://www.youtube.com/@lonetreeband/featured 

Website: https://www.lonetreeband.com 





Source link

The post Lone Tree appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/lone-tree/feed/ 0
Robert Jon & The Wreck Debut New Soulful Single “Help Yourself” https://howtobecomeadj.net/robert-jon-the-wreck-debut-new-soulful-single-help-yourself/ https://howtobecomeadj.net/robert-jon-the-wreck-debut-new-soulful-single-help-yourself/#respond Tue, 05 Dec 2023 06:42:34 +0000 https://howtobecomeadj.net/robert-jon-the-wreck-debut-new-soulful-single-help-yourself/ The release of “Help Yourself” follows the success of their earlier singles, including “Hold On,” a heartfelt portrayal of the touring life’s challenges and high energy rock and roll anthem “Stone Cold Killer”. This single, like their previous work, has been praised for its emotional depth and compelling musicality. In...

The post Robert Jon & The Wreck Debut New Soulful Single “Help Yourself” appeared first on How to Become a DJ.

]]>

The release of “Help Yourself” follows the success of their earlier singles, including “Hold On,” a heartfelt portrayal of the touring life’s challenges and high energy rock and roll anthem “Stone Cold Killer”. This single, like their previous work, has been praised for its emotional depth and compelling musicality. In addition to the release of their new studio album Ride Into The Light, this year also saw RJTW release their first-ever concert film, Live At The Ancienne Belgique, which dropped in April. Recorded during their sold-out show at the Ancienne Belgique in Brussels, Belgium on June 29th, 2022, the live CD/DVD set captures the Wreck amid their longest-ever tour – 67 performances in 75 days across 9 countries.

Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Joe Bonamassa’s Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high-quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.





Source link

The post Robert Jon & The Wreck Debut New Soulful Single “Help Yourself” appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/robert-jon-the-wreck-debut-new-soulful-single-help-yourself/feed/ 0
Composer, Musician & Educator Adam Scime Talks About Electric Messiah https://howtobecomeadj.net/composer-musician-educator-adam-scime-talks-about-electric-messiah/ https://howtobecomeadj.net/composer-musician-educator-adam-scime-talks-about-electric-messiah/#respond Tue, 05 Dec 2023 06:41:21 +0000 https://howtobecomeadj.net/composer-musician-educator-adam-scime-talks-about-electric-messiah/ Adam Scime (Photo courtesy of the artist) Every year, Soundstreams Electric Messiah has taken a traditional holiday classic and turned it into inspiration for a new age. Music director and sound designer Adam Scime assembles a cast of collaborators to create something new out of something venerable. This year’s Electric...

The post Composer, Musician & Educator Adam Scime Talks About Electric Messiah appeared first on How to Become a DJ.

]]>

Every year, Soundstreams Electric Messiah has taken a traditional holiday classic and turned it into inspiration for a new age. Music director and sound designer Adam Scime assembles a cast of collaborators to create something new out of something venerable.

This year’s Electric Messiah takes place December 14 to 17. Along with Scime’s contribution as musical director and sound designer, the production features: stage direction by Chelsea Dab Hilke; Midori Marsh, soprano; Rebecca Cuddy mezzo-soprano; Elizabeth Shepherd, vocals; Daniel Cabena, counter-tenor; and Korin Thomas-Smith, baritone. The instrumental ensemble includes: Amahl Arulanandam, electric cello; Wesley Shen, harpsichord; Luan Phung, electric/acoustic guitar; and Joel Visentin, electric organ.

We spoke to Adam about Electric Messiah and new music.

Adam Scime

Composer and double bassist Adam Scime is a native of Hamilton, Ontario, and he earned both a BMus and MMus from the University of Western Ontario. He went on to doctoral studies in composition at the University of Toronto. While earning his PhD, he won a contest sponsored by Esprit Orchestra.

He has written commissioned pieces for the Ensemble contemporain de Montréal, The Esprit Orchestra, Array Music, l’Orchestre de la Francophonie, the Toronto Symphony Orchestra, and New Music Concerts, among others. In 2015, he won the Canadian Music Centre Toronto Emerging Composer Award.

He is the Managing Director of Kaeja d’Dance, and Music Director of FAWN Chamber Creative, along with his work with Soundstreams.

The Q&A

As a composer, what kinds of projects draw your interest? Is there something in particular that you look for?

Projects that involve a large amount of collaboration with other artists are particularly important for me in all aspects of my work. In these collaborative spaces, I enjoy the vulnerability of releasing one’s creative impulses or ideas for others to hold for a while and reshape, who then pass to others to do the same — I love this dance of ideas revealing a dynamic artistic object no one involved could have possibly created on their own. It’s incredible what can happen in a mutually supportive atmosphere of trust. Not only are these processes artistically meaningful, but also become important spaces to engage in a significant degree of self-analysis, which makes me quite happy because, with the help of my collaborators, I can become better equipped for whatever is next.

How did you become involved with Electric Messiah? (I understand you’ve been the musical director since 2015.)

Around that time (2015) I was a participant in Soundstreams’ Emerging Composer Workshop. I suppose this was my introduction to Artistic Director Lawrence Cherney and Soundstreams where Lawrence got to know me as a musician and collaborator. I assume he thought I would make a good fit to become the Music Director of The Electric Messiah. Nearly ten years later it’s amazing to look back on what the show has produced and who has been involved. Every year the artists involved continue to astound us with their creativity and their openness.

I would be remiss not to mention the amazing Kyle Brenders who created the original vision for The Electric Messiah. Kyle created the concept and initial arrangements for the 2015 premiere version, during which I was only an audience member (I actually joined the project the following year). We wouldn’t have a show without him — thank you, Kyle!

Image courtesy of Soundstreams
Image courtesy of Soundstreams

Each year, Electric Messiah riffs off Handel’s Messiah. How do you keep coming up with fresh inspiration for new ways to explore that music?

Each year, I meet with the musicians early in the process to start a conversation about what different things we can try. My main goal as music director is to get out of the way as much as I can and to allow the incredible abilities of the musicians to sculpt the way forward. In The Electric Messiah, everyone is a music director, which I think everyone enjoys as a welcomed change from any regular Messiah “gig”.

I think music wants to be explored and not just heard. The music of The Messiah is often only heard and not explored for its relationship to cultural tradition. Whether we welcome it or not, Handel’s music is so close to our ears and our minds this time of year. Since we live with this familiarity, The Electric Messiah is an excellent opportunity to recontextualize our perspectives on the tradition surrounding Handel’s music.

Through listening to, and engaging with, the narratives of each musician involved, and infusing Handel’s Messiah with those narratives, we collectively arrive at a reciprocal relationship that supports a truly contemporary mode of expression and artistic experience. The Electric Messiah as a show belongs as much to the artists’ contributions as to the collective circumstances: they are both made and discovered at the same time. If The Electric Messiah has been successful over the years, it is because of the incredible contributions of the artists and musicians involved.

How do you choose the artists to collaborate with each year?

There are so many amazing musicians out there to choose from. If we need new collaborators to come onto the project, we create a wish list of folks we think would make new and interesting contributions, and we go from there to see who’s available. One thing that is both exciting and somewhat heartbreaking about the project is that we try to invite new artists to the project every two or three years so that we continue to receive varied perspectives.

While this means a continuous stream of new ideas, it also means saying goodbye from time to time, and that can be hard. There have been so many amazing voices that have contributed over the years — folks like Jeremy Dutcher, SlowPitchSound, Lybido, Alex Samaras, Gabriel Dharmoo, Robin Dann, The Element Choir, Christine Duncan, Elizabeth Shepherd, the list goes on and on. Watching and listening to these artists come and go over the years, offering their brilliance to the project along the way, has been one of the most rewarding experiences in my career. Since 2015, each artist who has been a part of The Electric Messiah has contributed to the current definition of the show.

What kind of audience response do you get from Electric Messiah? Is it largely people who are familiar with the source material — or is it more mixed?

I think the Electric Messiah offers many wonderful things to an audience and, gratefully, it’s quite mixed. Each year we try to find new and meaningful ways to approach the material — something everyone involved believes to be a crucial progressive pursuit. Of course, some will be deeply familiar with all the music from Handel’s Messiah, and some have managed to avoid it to an extent — but — it would be hard to find someone who hasn’t heard the Hallelujah Chorus some dozens if not hundreds of times. And so, most of us have at least some relationship with this music. Filtering The Messiah through varied lenses can allow an audience to at once enjoy, question, critique, and, most importantly, contribute to how we explore alternative perspectives when dealing with cultural traditions.

The project offers a moment to experience some incredible music-making, but it also offers a conversation, and audience members can choose to become part of that conversation as listeners — where tradition and innovation speak to one another and hopefully arrive at a more nuanced appreciation of all our contemporary narratives as human beings.

Is this what you see as the future of Western classical music — to be flexible enough to introduce and drawn from all sorts of other musical elements?

I’m really not sure, I only know what I can hope for: that we shift our conception of excellence. I hope that the future of Western classical music is a place where cultural institutions don’t need to rely so much on what has been “tested” over time. I suppose this comes down to how we approach arts education. I think if we don’t change the way we educate in the arts, we’re only reproducing that by which particular groups maintained power in historical contexts. Insisting that we hold onto a particularly narrow view of culture in Western music (works “tested over time”) based on “expertise” hides the social quality of what art can really do. It also presents the illusion that we’ve somehow already agreed upon a hierarchy of artistic practice that must always be obeyed and never questioned. If you’re not contemplating all types of expression, especially contemporary expression, you’re not really being equitable. Don’t get me wrong, I adore much of the music from the Western classical world, and I think there is deep value there, but I hope the future of this world does not continue to be held prisoner by tradition. I’d like to think that, at the very least, we offer a conversation about this possible future in The Electric Messiah.

  • Find tickets and more information about the performances [HERE].

Are you looking to promote an event? Have a news tip? Need to know the best events happening this weekend? Send us a note.

#LUDWIGVAN

Get the daily arts news straight to your inbox.

Sign up for the Ludwig Van Toronto e-Blast! — local classical music and opera news straight to your inbox HERE.

Latest posts by Anya Wassenberg (see all)



Source link

The post Composer, Musician & Educator Adam Scime Talks About Electric Messiah appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/composer-musician-educator-adam-scime-talks-about-electric-messiah/feed/ 0
Blues Blast Fall Advertising Sale! – Blues Blast Magazine https://howtobecomeadj.net/blues-blast-fall-advertising-sale-blues-blast-magazine/ https://howtobecomeadj.net/blues-blast-fall-advertising-sale-blues-blast-magazine/#respond Thu, 26 Oct 2023 06:39:02 +0000 https://howtobecomeadj.net/blues-blast-fall-advertising-sale-blues-blast-magazine/ 50% OFF = THE LOWEST PRICES FOR THE 2023 SEASON!!! Instead of 4 issues of Blues Blast Magazine and month on our website for $450, during our Fall Advertising Sale you get six issues of Blues Blast Magazine and 6 weeks on our website for the same price. This package...

The post Blues Blast Fall Advertising Sale! – Blues Blast Magazine appeared first on How to Become a DJ.

]]>

50% OFF = THE LOWEST PRICES FOR THE 2023 SEASON!!!

Instead of 4 issues of Blues Blast Magazine and month on our website for $450, during our Fall Advertising Sale you get six issues of Blues Blast Magazine and 6 weeks on our website for the same price.

This package can add significant impact to your Blues advertising or promotion campaign. It is a great way to kick up the visibility of a new album or advertise an important event.

Blues Blast Magazine is a great way to promote the Blues. More than 45,000 Blues fan subscribers read our magazine each week. They are located in all 50 states and in more than 90 countries. Our website gets more than 75,000 visitors each month.

Normal 2023 ad rates start at $175 per issue in the magazine and $175 per month for website sidebar ads. BUT, for a limited time, you can advertise in six issues of Blues Blast Magazine and on our website for a month and a half for only $450

To get this special rate you must reserve and pay for your ad space before December 15, 2023 Ads can be booked to run anytime between now and October 30, 2024 for your 2024 Blues festival, album release or other music related product or event.

Reserve your space today! Space is limited and will be sold on a first come first served basis.

NEW!!! – Upgrade the sidebar ad on our website to a top banner ad for increased impact and visibility for only $100 more. (Subject to availability)

Or you may add an E-blast to all of our 45000 subscribers for only $250 more. (Normally $325)

To get more information email info@bluesblastmagazine.com or call 309 267-4425 today! Other ad packages, single ads, short run ads or long term bulk rates for publicists and record labels are available too. Call today for an ad plan that fits your needs.

Please follow and like us:


0





Source link

The post Blues Blast Fall Advertising Sale! – Blues Blast Magazine appeared first on How to Become a DJ.

]]>
https://howtobecomeadj.net/blues-blast-fall-advertising-sale-blues-blast-magazine/feed/ 0