Wolfgang Amadeus Mozart stands for the poignant situation where a life was relatively short and fame and fortune nowhere near what it became after death, and it all follows with the cliche that nonetheless rings true that sometimes genius will out, will trump despite the practical difficulty of the lifetime of the artist.
To bear that out there are of course countless recordings and concert attention that never flags. Happily the performance levels remain high out there. As if to remind us of such things we have pianist Roberta Rust and her framing of the last decade repertoire in a nice way, namely Mozart Matures, 1780s Piano Works (Navona Records NV 6403).
The juxtaposition of this thoughtful sampling of later Mozart piano works coupled with a kind of lovingly meditative set of performance by Roberta Rust leaves you appreciative and gratifyingly satiated with it all.
Anyone well experienced in Mozart pianism will doubtless know this music, and if not, one should. The “Fantasy” in D Minor and in C Minor, the “Sonata No. 1,” the “Adagio” in B Minor, “Eine Kliene Gigue” in G Major, and the “Rondo” in A Minor, all clock in with careful, slightly rubato poetics, not especially keen to show excessive virtuoso expressivity but rather an intimacy that xalled forward the beautify and excitement of it all, and doubtless goes well with, as examples, a crackling fireplace or a luminous night sky.
When all is said one goes away content, human-purring like a satisfied cat, but ready to hear it again–now or sometime later. It may not knock over your water pitcher, or cause the sun to turn green, but it is in its own way down-to-earth yet glorious fare. Recommended for newcomers but also for old hands who are up for listening to a new set of readings. Bravo.